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不安分的年轻人们

剧情  法国  1958 

主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,

导演:马塞尔·卡尔内

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相关问答

1、问:《不安分的年轻人们》什么时候上映时间?

答:这部影片的上映时间是1958年,更新时间2023-08-31 03:00:12

2、问:《不安分的年轻人们》法国在哪个电视台播出?

答:《不安分的年轻人们》目前只有网上如、爱奇艺腾讯优酷白兔子等播出、没有在电视台播。

3、问:《不安分的年轻人们》演员表

答:《不安分的年轻人们》是由马塞尔·卡尔内 执导,帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔 领衔主演的剧情片 剧情 法国 。该剧于2023-08-31在腾讯、爱奇艺、白兔子、优酷、等平台同步播出。

4、问:哪个平台可以免费看《不安分的年轻人们》全集

答:免vip在线观看地址:www.btuzi.cc/vod/208780.html

5、问:手机版免费在线点播《不安分的年轻人们》有哪些网站?那些平台搜索?

答:hao123影视百度视频白兔子;请到百度  搜狗 360 神马 头条搜索。

6、问:《不安分的年轻人们》评价怎么样?

Mtime时光网友:剧情紧凑有趣,不同于其他影片作品,有励志|灾难|冒险|犯罪|生活等故事情节精简不会啰里啰嗦拖泥带水,观众在电影中体验到了无尽的紧张和刺激。他们的演绎让我对每个角色都充满了期待和共鸣。影片中的角色性格鲜明,每个人物都有自己的故事和动机,令人着迷,值得一看。

丢豆网网友:这部影片是一本栩栩如生的电影,创作灵感之高。影片中绘声绘色的基础上有欢笑,有泪水,有快乐,也有悲伤..具备长辈苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。电影励志、冒险、灾难、言情、生活种种往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现理解的道理、以其设身处地都会是现实中教导的教诲!

豆瓣电影网友:这部电影评分:6.0佳作不安分的年轻人们法语是1958年法国上映的剧情片,这部剧深受观众喜爱,并在播出后获得了极高的好评和口碑,影片中的角色形象塑造鲜明,故事情节紧凑不会阿弥陀佛啰嗦不断!剧情发展合理。更微妙的是在导演马塞尔·卡尔内的指导下,帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔每一个演员的出色表演将剧中的角色形象栩栩如生地呈现在观众面前。无论是剧情、演员的表演还是剧中歌曲,都是该电影的亮点好看所在的美妙。

剧情介绍:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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